Image and information courtesy of Bonhams Auctions

An ultra-rare and champion racer 1959 Porsche 718 RSK Spyder took the chequered flag at the Bonhams Quail Motorcar Auction in August, selling for $2,232,500, this making itthe top lot in the auction house's live and online sale hosted in its Los Angeles saleroom.

One of only 34 built, this rarity was ordered new by noted New Jersey motorsport enthusiast, Bernie Vihl. It was extensively campaigned by legendary Porsche driver Bob Holbert at numerous SCCA and international events, securing multiple wins, including the 1959 Bahamas Speed Week, where the 'Giant Killer' – as it was known – stormed to first place in the debut Governors Trophy race.

This Typ 718 RSK, chassis 718-031, was among the last of the 35 718 RSKs built. According to its Kardex, it was completed in June of 1959 for its first owner Bernard "Bernie" Vihl Sr. of Clifton, New Jersey. A successful industrialist, Vihl immigrated to the United States from Poland in the 1920s and used his background in aeronautics to begin working at the American offices of Fokker Aircraft in Long Island.

He later broke out on his own to start Industrial Copper and Metal Work, which proved to be rather successful and allowed him to begin racing and campaigning sports cars in the mid '50s, focusing his attention on Porsches. He would go on to own a 550 Spyder, this 718 RSK, and, later, a RS60, among others. With the purchase of his new 718 "Giant Killer", Vihl went hunting for big game and top honors at tracks around the country using his new car and the extremely talented and accomplished Bob Holbert as his wheelman.

In the world of racing, especially in the United States, Porsche and Robert "Bob" McCormick Holbert are inseparable. Born in Warrington, Pennsylvania in 1923, Holbert began wrenching on cars professionally in the 1940s and later opened Holbert's Garage in his hometown specializing in foreign cars in 1951. Two years later he began his racing career in an MG TD and the next year became one of the first authorized Porsche dealers in the United States—an operation that is still going today as the one of the oldest and best known Porsche dealerships in the country.

In 1957, seeing the success of the Porsche 550 on the track and its ability to slingshot past larger bore cars, Holbert switched brands from MG to Porsche and quickly established himself as top contender driving Stuttgart's finest. In Porsches he won four Sports Car Club of America Championships, "Best Sports Car Driver" from The New York Times, and top finishes at the 12 Hours of Sebring. He retired from racing in 1964 to focus on his dealership while his son Al would go on to further the Holbert legacy of racing Porsche by taking two overall wins at the 12 Hours of Sebring in Porsches.

This car, 718-031, would be Holbert's chariot for the 1959 and 1960 season. Fresh from his 4th overall and 1st in class win at the 1959 12 Hours at Sebring in another 718 RSK, Holbert started the SCCA season in the brand new 718 RSK at the SCCA National Marlboro on April 14, 1959. 500 yards into the first lap of the first practice session, the Porsche was clipped in the left front corner by a Walt Hansgen's Lister Corvette and promptly rear ended by Bill Kimberly's Ferrari 500 TR. Pictures of the 718 after the incident were featured in the May 1959 issue of Porsche Panorama.

Of course, being racing in the 1950s, this had little effect on Holbert's progress in the season as less than a month later the car was repaired and on the track at the SCCA National Cumberland where it took 2nd place behind Walt Hansgen's Lister. A photo of a smiling Holbert and family with the RSK on a trailer behind the family wagon at Cumberland shows how quickly and well things were repaired back then.

Holbert's season in 718-031 continued apace around the country with Bridgehampton, Riverside (both SCCA and USAC), Montgomery, Vineland, and Thompson – getting on the podium of all but one of his SCCA outings. In September, Holbert took the RSK to a 7th overall and 3rd in class finish at the 12th Annual Grand Prix at Watkins Glen.

Ending the year on top, he and 718-031 would blow into the 6th Annual International Bahamas Speed Week in December of '59. In its first outing of the event, the Governor's Trophy for 2000cc and under, Holbert took 1st overall edging out Ricardo Rodriguez's Ferrari Dino 196S and Harry Blanchard's 718 RSK. Two days later in the Nassau Trophy race, 718-031 was piloted from a Le Mans start to 3rd overall and 1st in class – just behind Phil Hill in his Ferrari 250 TR 59 and ahead of the 718 RSKs of Jo Bonnier, Harry Blanchard, and Wolfgang von Trips—among others.

For 1960, Holbert kept up his A-game taking first place twice—at the May 1st Nationals in Virginia and July 17th National Continental Divide in Colorado—and scoring a podium finish overall all but once and first or second in class in virtually every race. For his efforts he was awarded the SCCA National Championship in 1960, thanks in no small part to his performance in this car, 718-031.


Porsche's Typ 718 RSK Spyder was the culmination of years of development of ‘competition spyders’ by Porsche. Each step along the way was more successful than the one before as Porsche refined its approach to small displacement performance.

The origins of the RSK trace back to the period just before the outbreak of hostilities in the late Thirties. The German government had fostered development of the "people's car" conceived as the KdF-Wagen (Kraft durch Freude, Strength through Joy), the Volkswagen.

With its two-door sedan body and small 985cc, 24 brake horsepower engine competition was the antithesis of the Volkswagen's design but its potential was shown when in 1939 Ferdinand Porsche’s engineering and design company was asked to build a special streamlined coupe on the VW platform. The Typ 60K10 was intended to compete in a proposed race from Berlin to Rome, symbolically linking the capitals of the Axis. The September 1939 date for the event was rendered redundant by the German invasion of Poland on September 1.

Even during the war the Porsche design bureau pursued competition projects in moments that could be slipped in between war contracts. The staff and prototype workshop were moved to rural Austria, away from Allied bombers. After hostilities ceased and postwar administration of Germany and Austria were settled, a fortuitous contract was obtained by Ferdinand Porsche to design a Grand Prix car for Piero Dusio's Italian company Cisitalia.

In the Cisitalia can be seen the precursor of Porsche's later sports racing spyders – a mid-mounted horizontally opposed engine and parallel trailing arm front suspension although with a supercharger, deDion rear axle and provision for 4-wheel drive. While these were noteworthy in the postwar racing car design encyclopedia, they reflected much of what Porsche had done prewar including the fabulous Auto Union Silver Arrows and a wartime project for a potentially game-changing sports car.

This was the Typ 114 with a mid-mounted 1,493cc dual overhead camshaft 72-degree V10 with shaft drive to the overhead cams and 4-wheel torsion bar sprung independent suspension with parallel trailing arms at the front and swing axles at the rear. A Typ 114 prototype was never built but the concept lingered in the Porsche design bureau's library of promising technical ideas.

It was succeeded by the 1948 Typ 356, numbered according to the succession of Porsche design projects – which had been only 60 barely a decade earlier when it was the design number for the KdF-Wagen – which brought the VW-based, rear=engined Porsche sports car into reality.

However the original Typ 356 design was not rear-engined but mid-engined. It still used the VW drivetrain and rear suspension but with the engine located behind the driver and in front of the rear axle. Clearly Porsche recognized the value of mid-engine location, as seen in the Auto Union Types C and D, Porsche's still-born Typ 114 and the postwar Cisitalia Grand Prix, and intended to use it in a low production Volkswagen sports car.

Built on a tubular space frame, the original Typ 356 transplanted the trailing arm torsion bar front suspension directly from a VW. The entire driveline and swing arm rear suspension were simply turned around, the torsion bar trailing arms of the VW now becoming leading arms anchored to a frame extension. The engine, now 1,131cc, was given a performance boost with higher compression ratio, modified cylinder heads and dual carburetors to realize some 40 horsepower. Clothing it was a roadster body penned by Porsche's Irwin Komenda with many features continued on later Porsches. This prototype was the first to bear the family name.

The economics, however, of producing an essentially hand-built tube frame automobile were impractical even for the perfectionist Porsche family and their equally demanding staff. The mid-engined 356 roadster was replaced by a new VW-based design called 356/2.

But the advantages of mid-engine placement were not forgotten by Porsche even though an aluminum-bodied rear-engined 1.1-liter Porsche coupe won its class at the 1951 Le Mans 24 Hours. The pathway became clearer when in 1952 Porsche created the vaunted 4-cam Typ 547 engine designed by Ernst Fuhrmann.

Starting with 1,498cc, Fuhrmann's powerhouse little horizontally opposed four-cylinder had a bore/stroke ratio of 0.78, thoroughly modern in engines built decades later and nearly unprecedented for 1952. The 85mm cylinder bore made relatively huge intake and exhaust valves possible in the hemispherical combustion chambers. Four overhead camshafts were driven by an intricacy of shafts and bevel gears operating the valve stems through interposed fingers that reduced side thrust.

The Hirth-built 10-piece crankshaft rotated in three roller bearings. The connecting rods likewise utilized roller bearings. This complexity of moving parts was lubricated by a dry sump system with an external reservoir. The large oil capacity helped cool the engine which, like all Porsches to this point, employed air cooling directed primarily to the cylinder heads. Dual spark plugs with dual coils and distributors initiated combustion.

The first Typ 547 4-cam Porsche engine ran in April 1953 and in the following summer it was ready to outfit a thoroughly updated 550 Spyder chassis. Based on a ladder frame with tubular side members that was underslung at the rear, it had the proven torsion bar trailing arm front suspension but a new torsion bar-sprung trailing arm suspension in the rear. The 4-cam 550 Spyder scored a notable class victory in the 1954 Carrera Panamericana driven by Hans Herrmann.

The early 550 Spyders were factory-owned and campaigned although frequently sold on to local racers after appearing in a race or two. In late 1954 Porsche began to build "production" Spyders for direct sale to customers, the 1500/RS Spyder. Bodied by Wendler they yet again incorporated detail design, body and mechanical details. These included a ZF-built fully synchronized 4-speed transaxle. The now thoroughly proven Typ 547 4-cam engine, steadily updated for performance and reliability, now delivered a rated 110 brake horsepower at a moderate 6,200 rpm and a maximum of 125 hp at 6,500 revs but was capable of nearly 8,000 rpm for limited periods, horsepower unspecified.

Building RS (RennSport) sports-racing cars had turned into a viable and profitable business for Porsche. That was proven by the next iteration of the 550, the 550A, now with a rigid, lightweight space frame chassis of thin wall tubing, advancing the concept first evidenced in the original 356 roadster of 1948. The space frame weighed 95 pounds but was 3x stiffer in torsion and 5x stiffer in bending. Its design eliminated body mounting structures that had been needed for the 550, reducing body weight by 30% from the 550. Its engine now drove the distributors directly from the front of the crankshaft with worm gear drive giving consistent ignition timing. The continuously improved Typ 547 engine now delivered some 135 brake horsepower with Weber carburetors.

Rear suspension, always a challenge for Porsche, evolved to a low-pivot design with a lower roll center. Longer trailing arms reduced camber change in cornering with a pronounced beneficial effect on swing axle induced oversteer. A 550A won the Targa Florio in 1956. Another, with slippery coupe bodywork, finished fifth overall and won its class at Le Mans.

The time was right for the Spyder's ultimate form, the Typ 718 RSK, with development beginning in 1956. Owing its name, RSK, to the shape of the front suspension torsion bar tubes (which on the top sloped down to meet the lower torsion bar tubes at their midpoints, thus shaping the letter "K"), the design, intended to better master camber change in cornering, did not survive testing, but the nickname persisted. Even after parallel torsion bars replaced the "K"-shape the steering box remained at the center of the front track with equal length track rods. A double U-jointed steering column gave Porsche the option of offset or center steering wheel mounting. The body was slimmed and lowered, with a rounded nose. The rear air vents were later discovered to be better at admitting air to the engine's intake and the cooling system than they were at exhausting it.

While retaining its swing axle concept the rear suspension underwent a notable redesign with a Watt's linkage replacing the historic trailing arm with two radius rods, one leading forward from the bottom of the hub and another back from the top that securely positioned the rear wheels. Porsche's rear torsion bars were succeeded by a pair of tubular shock absorbers with concentric coil springs.

The RSK's redesign was sufficient for Porsche to give it a new project number, 718. With Weber carbureted 1,587cc Typ 547/3 engines Jean Behra and Hans Herrmann drove an RSK to an unprecedented third overall at Le Mans in 1958. Later in 1958 Behra finished fourth at Riverside in the Los Angeles Times Grand Prix for sports cars headed only by Chuck Daigh in a Chevrolet-powered Scarab, Dan Gurney in a Ferrari 375 Plus and Bill Krause in a Jaguar D-Type. But the success of the Porsche Typ 718 RSK can be measured not only in terms of its race wins but also its adaptability. In 1957 and 1958 the FIA allowed full envelope bodywork in 1.5 liter Formula 2. The center-mounted steering box in the 718 RSK made it supremely adaptable to this formula and Jean Behra captured an F2 win at Rheims, followed by another F2 win by Edgar Barth at the Berlin Grand Prix at Avus.

For 1959 full streamlined bodywork in Formula Two was no longer allowed, so Porsche created a completely new Formula 2 car. For some reason the new car was still called 718, more exactly 718/2 or 718 F2. According to the F2 rules, the engine size was limited to 1.5 litres so Porsche's 4-cylinder 4-cam Furhmann engine was the natural choice. Interestingly, the debut of the 718 F2 took place at the Formula 1 event (F1 cars were allowed engines up to 2.5 litres). Wolfgang von Trips entered the Monaco F1 race with the new Porsche F2 car on May 10, 1959, butThe unfortunately crashed on the second lap breaking the front axle. Skipping the Pau F2 and Zandvoort F1 races, the Porsche were back again with the 718 F2 at the starting line at the Reims Formula 2 race where the first success came as Jo Bonnier finished third. The Swedish driver went on to win races with the car, as did England’s Stirling Moss, who won at Aintree in the UK and Zeltweg in Austria.

The 1959 open-wheeled Formula Two version of the Porsche 718

Image and information provided by Bonhams Auctions

At Bonhams Auctions Summer Sale in the UK back in August, the 204 motorcycles from the Museo Morbidelli in Italy were offered for sale in the wake of the sad death of Giancarlo Morbidelli on February 10th this year at the age of 85. The rarest motorcycle in the collection was the solitary example ever made of the four-cylinder 125cc prototype GP racer built in the Ducati factory in the early 1960s. The suggested sale price in the catalogue was between 400,000 and 600,000 British pounds sterling but the bike failed to meet its reserve and remained unsold.

The four-cylinder Ducati 125cc Quattro was never raced

One of motorcycle racing's many 'might-have-beens', the unique machine offered was Ducati's fabled 125cc four-cylinder Grand Prix racer, which took so long to develop that it had been rendered obsolete by the time the project was completed.

Its senior management having decided that racing success was the best way to promote the fledgling manufacturer, Ducati recruited engineer Fabio Taglioni, formerly with Ceccato and Mondial, to oversee its racing and development programmes. Commencing work in May 1954, Taglioni designed the first of Ducati's now legendary sporting singles: the 100 Gran Sport, nicknamed 'Marianna', which made its racetrack debut in 1955. The Gran Sport's overhead cam was driven by a vertical shaft and bevel gears, and this method was carried over to Ducati's 125cc twin-cam (bialbero) and triple-cam (trialbero) racers, the latter featuring Taglioni's famous 'desmodromic' method of valve actuation that dispensed with springs.

The Ducati Gran Sport 100cc ‘Marianna’

The Ducati 125cc Bialbero (twin-cam)

Having relied hitherto on single-cylinder designs for the 125 class, Ducati introduced a 125 twin at Monza in 1958, the final round of that year's World Championship. Although the Ducati 125s proved capable of winning Grands Prix, they lacked the consistency to challenge the dominant MVs for World Championship honours. And when the Japanese manufacturers arrived en masse in the early 1960s, bringing multi-cylinder technology to the lightweight classes, the writing seemed well and truly on the wall for the European opposition. Hence Taglioni's decision to build a 125 four.

Faced with mounting financial difficulties, Ducati withdrew its works team from Grand Prix racing at the end of 1959, which may explain the project's apparent lack of urgency. It would not be resurrected until 1964, and only then at the behest of Ducati's Spanish subsidiary, Moto Trans. In its 16th June 1965 edition, Motor Cycle News reported that, following extensive bench tests, the machine had been tried recently by Ducati's test rider, former racer Franco Farne.

However, by this time Honda had been running a similar machine for almost two years and in '66 debuted a five-cylinder 125, moving the game out of Ducati's reach. Although the tests were deemed successful, the 125 four was never raced; instead it was reduced to touring motorcycle shows around Europe, including London's Earls Court in 1966 and '67. Nevertheless, this machine is notable in several ways, being Ducati's first four-cylinder motorcycle and its first to use four valves per cylinder, albeit closed by springs rather than desmodromically. Like the two Honda 125s, the Ducati was equipped with an eight-speed gearbox.

How Ducati's 125 four ended up behind the Iron Curtain remains a mystery, for that is where it would be rediscovered decades later. The engine turned up in the Technical Museum in Riga, Latvia while the frame was found in former Yugoslavia. When Giancarlo Morbidelli was managing his factory, he travelled widely throughout Europe, which is how he found the engine. The frame, though, had been purchased towards the end of the 1960 by Gilberto Parlotti, who fitted a different Ducati engine. Among other places, Parlotti raced the machine in Yugoslavia, which is how the frame ended up there. It was discovered by one of Mr Morbidelli's friends, who did not recognise it; Franco Farne confirmed its identity.

Its major components reunited, the Ducati 125 four was rebuilt by Giancarlo Morbidelli and his team. The fuel tank was made by Mr Morbidelli himself, as were other parts (the Museum curator remembers finding Mr Morbidelli in the factory on Christmas Day, working on the tank!) while the brakes, forks, hubs, etc used in the rebuild are of correct type. A wonderful monument to the engineering genius of Fabio Taglioni, the machine has been run since the restoration's completion but most of the time has been kept on display in the Morbidelli Museum..

Images and information courtesy of Salon Prive

This year’s Salon Privé Concours d’Elégance presented by AXA attracted a record 93 entries, encompassing more than a century of automotive history via some of the most beautiful and coveted cars from around the world. Everything from a 1904 Napier to a 2020 McLaren Senna GTR LM was represented in the magnificent grounds of Blenheim Palace on Wednesday 23 September, with the 17 classes comprising a total of 77 cars and 16 motorbikes.

Recognised as the most prestigious such event in the UK, Salon Privé is a partner concours of The Peninsula Classic Best of the Best Award. The jury was led by Ed Gilbertson and Italian historian Adolfo Orsi, made up of some of the world’s most experienced and knowledgeable ICJAG judges. Among those who painstakingly scrutinised the cars were Raoul San Giorgi – technical curator of the respected Louwman Museum and Tony Willis – Ferrari expert and owner of the Maranello Concessionaires archive. They were joined by Marcus Willis of Girardo & Co and Audi stalwart David Ingram among others.

A sensational Alfa Romeo 8C 2300 Monza Zagato that was raced by Scuderia Ferrari during the 1930s has won the coveted Best of Show award at this year’s event. The Italian beauty boasts an enviable competition history, having won the Coppa Principe di Piemonte in July 1932 in the hands of none other than Tazio Nuvolari. The ‘Flying Mantuan’ also drove it in the prestigious Klausenrennen hillclimb that year.

Andrew Bagley, Salon Privé Concours Chairman, said: “I am absolutely thrilled to have awarded this year’s Best of Show to Ian Livingstone’s 1931 Alfa Romeo 8C 2300 Monza Spider by Zagato. It acted as one of the Alfa Romeo works racing team cars, and at that time none other than Enzo Ferrari was responsible for the factory race team and development of the cars. The team was known as Scuderia Ferrari and that explains the familiar Cavallino Rampante (Prancing Horse) insignia on the bonnet.

“The very characteristic roar comes from a supercharged 2.3-litre engine with almost 180bhp that combines two four-cylinder blocks into an inline eight-cylinder engine. The Alfa Romeo had received the Zagato Spider body in 1932, but when Tazio Nuvolari took it out for the first race he didn’t like the shape of the driver’s door and had it cut out.

“The car, which is still in full Monza configuration, scored several race wins with Nuvolari at the wheel and is one of the most important racing Alfa Romeos. It is a true supercar of its era and we were thrilled the ICJAG judges bestowed this hugely important racing car with the overall Best of Show.”

The grounds of Blenheim Palace were graced by some of the most elegant and significant cars from across automotive history as the Concours d’Elégance attracted a record entry. The panel of specialist ICJAG judges presented Best of Show Runner-up to the famous Ferrari 166MM Touring Barchetta that won the Mille Miglia and Le Mans 24 Hours in 1949. This car also topped the Post-War Sports Racers class, In 1949 won the Mille Miglia in the hands of Clemente Biondetti and Ettore Salani, and the Le Mans 24 Hours courtesy of Luigi Chinetti and Lord Selsdon. Chassis 0008M remains the only car to have won both of those famous events in the same year.

New for this year was an award for Most Exceptional Design. Named in honour of Sir Winston Churchill, who was born at Blenheim Palace, the Churchill Cup was judged by some of the most respected automotive designers in the world, including Marek Reichman of Aston Martin, Stefan Sielaff of Bentley, Russell Carr of Lotus, Louis de Fabribeckers of Touring Superleggera and Julian Thompson of Jaguar to name just a few.

They selected a 1933 Lancia Astura Pinin Farina Cabriolet ‘Bocca’ – one of only a handful of cars that were styled by Mario Revelli di Beaumont for Lancia dealer Ernesto Bocca. With its sweeping wings and sculpted tail section, it’s little wonder this highly original example captured the imagination of the judges. It was also presented with the Most Elegant award.

Given the spectacular venue, it was only fitting that His Grace the 12th Duke of Marlborough selected his favourite car. His award went to a 1960 Aston Martin DB4 GT that had been raced in historics events before being restored to original specification picked up the Duke of Marlborough car award.

Salon Privé Chairman Andrew Bagley, meanwhile, chose to present the Chairman’s Award to a Ford GT40. Chassis number 1034 is the fourth of only 31 MkI road cars built, and the first to be delivered to a private owner – the three previous examples having been retained by Ford. It has recently been carefully and sympathetically restored to its unique period-correct specification.

Twenty-five years since the McLaren F1 (seen here in Harrods livery) won the Le Mans 24 Hours on its debut at La Sarthe, a Class was dedicated to the Gordon Murray-designed hypercar and there was more McLaren success when a 1997 F1 GTR long-tail picked up the People’s Choice award. Chassis 28R was raced in the FIA GT Championship by GTC Gulf Team Davidoff and was the last of the F1 GTRs to be built.

Two legendary sports racing cars from the 1950s were honoured via two of the judges’ special prizes. An ex-Equipe Nationale Belge Ferrari 500 TRC that won its class at Le Mans in 1957, and which has long been campaigned in historic events courtesy of David Cottingham, won the Passione Corsa Award, while the Preservation Award was presented to a delightfully patinated and the most original Jaguar D-type in existence today. Chassis number XKD509 was raced in America when it was new, and is now a remarkably original ‘time warp’ survivor.

A sublime selection of machinery made up the pre-war classes, and the Veterans At The Palace group was topped by a 1919 Rolls-Royce Silver Ghost. Built in the marque’s Springfield, Massachusetts factory, the car played a starring role in the 1974 film adaptation of The Great Gatsby, which starred Robert Redford and Mia Farrow.

#SalonPrivé Chairman Andrew Bagley said: “Every year, we welcome the world’s greatest cars to #BlenheimPalace, and 2020 was no exception. The finest marques in automotive history were represented in the Concours d’Elégance – our chosen specialists and marque experts really had their work cut out with the judging process, and the winners represent the very best of the international classic-car scene.”